During a month-long residency in Budapest, Caroline researched Hungarian language, text and music, namely from the 1980s Soviet era as they relate to censorship and the desire for communication between artists in Hungary and abroad. For her ultimate project, Caroline transcribed sound elements from telefonkoncert (April 15, 1983), a concert over the phone that took place over a course of 4 hours between three locations: Budapest - Vienna - Berlin (courtesy of the Artpool Art Research Center). Caroline’s interpretation will take various forms: graphic notation with a print made in collaboration with Hurrikan Press (as you see here), a sound and deep listening drawing workshop (completed at the residency), as well as a sculptural composition (to be imagined). Through this process Caroline hopes to illuminate that even in times of censorship and the aim to silence human expression, agency can still be amplified amongst voices of an artistic community.